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In the Ravine and Other Stories is a varied collection of eleven short stories and one novella by Anton Chekov. Ranging from 1883 to 1900, this collection demonstrates Chekov's perfect prose, sly humor, understated pathos, cynical insights, medical perceptions, and impressive ability to get into the heads of a variety of people, male and female, old and young, elite and peasant. Each story features a different kind of protagonist, a different point of view, a different mood. Together they offer quite a slice of late 19th century Russian culture (icons, peasants, bribes, alcohol, passions, roubles, etc.) and human behavior (greed, pride, cruelty, love, charity, compassion, etc.). Some of the stories end with an almost provocative abruptness. Some are less interesting than others. Some are devastating. The collection is worth reading.
Here is a description of the stories.
Oh! the Public (1885)
A comical story about the problems that ensue when a train ticket collector decides to cut down on drinking and do his job honestly, heartily, and conscientiously.
The Chorus Girl (1886)
An appalling story about the awful treatment a chorus girl suffers when the wife of one of her lovers pays a call.
The Trousseau (1883)
A sad, quiet story about an odd mother and daughter who seem to spend all their days making clothes for the daughter's illusory marriage trousseau.
"People never prize what they have always had in abundance."
A Story without a Title (1888)
A cynical story about what happens when the father superior of a monastery tells his monks about the sinful behavior he experienced in town.
A funny and finally quietly touching story about a group of children who enjoy playing cards for money for different motives that reveal how children are really only small and inexperienced adults.
An intensely sad story about an old sledge driver yearning to talk about the death of his son to someone, anyone, who'll listen: "If Iona's heart were to burst and his misery to flow out, it would flood the whole world, it seems, but yet it is not seen. It has found a hiding-place in such an insignificant shell that one would not have found it with a candle by daylight. . . ."
Fat and Thin (1883)
What happens when two former best friend schoolmates meet and one is more successful than the other.
The Beggar (1887)
An ironic and interesting story about charity and change.
A 4th-rate writer likes to play the martyr at home, waking up his wife to tell her to keep things quiet while he writes, making expressions of "injured innocence," and finally falling into "sacred" sleep: "tyrannizing and domineering over the little anthill that fate has put in his power are the honey and the salt of his existence."
The Orator (1886)
A joke story about a man who makes an overblown, insincerely compassionate funeral oration gaffe.
An Actor's End (1886)
For me, the least interesting story. It's about an old actor with a strong body who, when arguing with his theater troupe manager, feels something snap inside him and wants to return to his hometown.
In the Ravine (1900)
The novella "In the Ravine" depicts life in a boring rural village through the lens of a leading family. Because something unbearably horrible happens without redress or justice, the story is painful. Does it end with redemption? "We can't know everything, how and wherefore." But "He who works, he who is patient is the superior."
About the audiobook, Kenneth Branagh's reading is excellent. He doesn't assume a Russian accent (luckily), but instead uses different British accents to express different classes, and reads all the words of Constance Garnett's classic translation just right, with perfect pauses and emphases and emotions. He reads female voices naturally, and at one point does a fine angry frog and hoarse cuckoo. Introducing and ending each story and each chapter of the novella is fine classical music, particularly piano.
Though The Kiss and the Duel and Other Stories is a stronger Chekov collection, anyone interested in crystalline stories, Mother Russia, and the human heart should like In the Ravine and Other Stories.
8 of 8 people found this review helpful
My god, I knew Chekhov was a fantastic playwright (I particularly love The Cherry Orchard). But I hadn't read his short stories. The reader, Branagh, is just perfect -- the perfect voice for these stories. They are delightful, very interesting and enjoyable tales. You can just listen to one after another, or take them one little story at a time. Any way you do it, you're going to have an exceedingly enjoyable listening experience.
6 of 6 people found this review helpful
Would you consider the audio edition of In the Ravine and Other Stories to be better than the print version?
Yes so much better than print, the emotion comes through the narration
What other book might you compare In the Ravine and Other Stories to, and why?
Any other Chekhov stories are great but the narration is so important
Which character – as performed by Kenneth Branagh – was your favourite?
The coach driver from 'Misery', very touching
Did you have an emotional reaction to this book? Did it make you laugh or cry?
Great writing, & narration meet the emotion pours out. A gulp in the throat and water in the eye, not always recommended when you listen on a long drive to work, but so rewarding.
Any additional comments?
Made me purchase more Kenneth Branagh narration. I can highly recommend 'heart of darkness'
2 of 2 people found this review helpful