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Publisher's Summary

Tom Hiddleston (The Night Manager) stars as Jonathan Harker, with David Suchet (Poirot) as Dracula in Liz Lochhead's powerful BBC radio adaptation of the classic novel by Bram Stoker.
When solicitor Jonathan Harker sets off for Transylvania to sell the mysterious Count Dracula a Gothic mansion, his bride-to-be, Mina, begs him to stay - to no avail. But on arrival at Dracula's castle, deep in a black forest surrounded by wolves, Harker wishes he had listened to his fiancée. The Count is welcoming but unnerving and his castle oppressive. Plagued by nightmares, Harker soon longs to leave.
Back in Whitby, Mina is increasingly worried. She has heard nothing from Jonathan, and now her sister, Lucy - newly engaged to Harker's friend, Dr Seward - is becoming pale and thin. In Seward's lunatic asylum in London, a madman named Renfield babbles about his master, who is coming. And as a midnight storm rages, a black ship heads towards the English coast....
Acclaimed poet and playwright Liz Lochhead's adaptation was first performed onstage in 1985, and this thrilling radio drama was broadcast on the World Service in 2006. Suspenseful, chilling and suffused with dark eroticism, it retains all the eerie dread of Stoker's infamous horror novel.
Duration: 2 hours approx.
©2016 BBC Worldwide Ltd. (P)2016 BBC Worldwide Ltd.
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Customer Reviews

Most Helpful
2 out of 5 stars
By Jessie Q on 12-02-16

It's not the most faithful adaption out there...

What would have made Dracula better?

If you're just interested in hearing David Suchet play Dracula or a young Tom Hiddleston play Jonathan Harker, then you'll probably enjoy this. But if you're looking for a good Dracula adaptation, I'd say give this a pass. It's a heavily abridged adaptation and a lot of the changes suck the life out of the story (pun intended).

What do you think the narrator could have done better?

I enjoyed David Suchet as Dracula. He plays the count as barely able to hide his cruelty behind his facade of civility, always a good choice. Hiddleston is a serviceable (though forgettable, yes, I said it) Jonathan Harker. None of the other actors are particularly memorable or compelling in this short drama. But probably what offends me the most about this adaptation is that they decided to cut Quincy Morris. I don't care that he is the most disposable character in this story, they deprived me of a ridiculous Texan accent!

If you could play editor, what scene or scenes would you have cut from Dracula?

It's less what I would cut and more what I would add back in. They cut out Jonathan Harker's emotional trauma from his stay with Dracula, presenting him as perfectly fine after he reunites with Mina halfway through the story. (He even indicates he's down for some sexy times!) This lessens the horror of his stay with Dracula. I also have mixed feelings about Dr. Seward leveling up from rejected suitor to beloved fiancé in this adaptation. It better connects his mental hospital to the greater story, but it also removes some of the internal conflict from the character. However I would cut the maid's subplot... That was weird, am I right?

Any additional comments?

If you're looking for a more faithful radio adaptation of Dracula, I recommend Classic BBC Radio's Dracula with Frederick Jaeger, Phyllis Logan, Bernard Holley and assorted cast. Not only is it more true to the source material, but they actually include Quincy Morris - exaggerated Texan accent and all!

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6 of 6 people found this review helpful

4 out of 5 stars
By Jonathon Horel on 07-25-17

Putting New Life in Dracula

If you are looking for a version faithful to the original, this is not it. Story elements and characters are cut and changed significantly. This is partly to streamline the story down to an acceptable length for a radio production, but also to enable a change in focus.

The original Dracula is a male-centric story; despite still following the expected conflict, this version shifts the spotlight to the female characters, giving them more backstory, presence, and connection to each other. Sexual, gender, and class anxieties threaded below the surface are made more explicit and explored at the forefront of the drama. Dracula is still a story of Good versus Evil, but the nature of both are suddenly less clear. Evil is more insidiously common, and Good more of a difficult, and occasionally thorny, path to follow.


I really enjoyed this version of Dracula as a short exploration of the story's underside. Seeing a more woman-centric version is uncommon enough to make it interesting, but it is also done well enough to keep my attention focused. There are a few loose threads I wish had been attended to, such as a character introduced into the story and left abruptly hanging, and Dracula himself was hardly fleshed out at all, but the production was still strong. Definitely recommend to fans.

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4 of 4 people found this review helpful

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Customer Reviews

Most Helpful
4 out of 5 stars
By josiemur on 11-08-16

Good

I enjoyed the story, although, felt the adaptation to be a little short and wanting. Not for those who have already read the original Bram Stoker masterpiece. Could listen to Tom Hiddleston all day!

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3 of 3 people found this review helpful

5 out of 5 stars
By Hannah on 10-28-16

Atmospheric read

I wasnt sure if I'd like this as it's an adaption rather than the traditional full book audio. However it's Atmospheric and well paced, the actors are excellent and it retains the flavour of the original. I thought it was a good length too, listened in one sitting.

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3 of 3 people found this review helpful

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