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Editorial Reviews

Followers of the popular vampire literary and film interpretations of recent years might be blasé about another performance of the exquisitely written novel that started it all. But listening to this full-cast performance turns out to be remarkably suspenseful and chilling. The superlative cast lends this powerful production the diversity that is required by the structure of the novel, which includes journal entries and letters. Each actor employs various accents, infusing into the characters vibrant emphasis, urgency, and dread. The famed vampire Count Dracula leaves a swath of exsanguinated bodies in his wake as he attempts to relocate from Transylvania to England in 1897, stalked by the brave Van Helsing.
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Publisher's Summary

Audie Award, Distinguished Achievement in Production, 2013
Audie Award, Multi-voiced Performance, 2013
Audie Award Nominee, Classic, 2013
Because of the widespread awareness of the story of the evil Transylvanian count and the success of numerous film adaptations that have been created over the years, the modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
This production of Dracula is presented by what is possibly the best assemblage of narrating talent ever for one audiobook: Emmy Award nominees Alan Cumming and Tim Curry plus an all-star cast of Audie award-winners Simon Vance (The Millenium Trilogy), Katherine Kellgren (Pride and Prejudice and Zombies), Susan Duerden (The Tiger’s Wife), John Lee (Supergods) and customer favorites Graeme Malcolm (Skippy Dies), Steven Crossley (The Oxford Time Travel series), Simon Prebble (The Baroque Cycle), James Adams (Letters to a Young Contrarian), Nicola Barber (The Rose Garden), Victor Villar-Hauser (Fun Inc.), and Marc Vietor (1Q84). These stellar narrators have been cast as follows:
Alan Cumming as Dr. Seward
Simon Vance as Jonathan Harker
Katy Kellgren as Mina Murray/Harker
Susan Duerden as Lucy Westenra
Tim Curry as Van Helsing
Graeme Malcolm as Dailygraph correspondent
Steven Crossley as Zookeeper’s account and reporter
Simon Prebble as Varna
James Adams as Patrick Hennessey
Nicola Barber as Sister Agatha
Victor Villar-Hauser as Arthur Holmwood
Marc Vietor as Quincey Morris
John Lee as Introductory paragraph, various letters
Public Domain (P)2014 Audible, Inc.
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Critic Reviews

"Listening to this full-cast performance turns out to be remarkably suspenseful and chilling…The superlative cast lends this powerful production the diversity that is required by the structure of the novel…Each actor employs various accents, infusing into the characters vibrant emphasis, urgency, and dread." (AudioFile)
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Customer Reviews

Most Helpful

By Jim "The Impatient" on 11-05-15

IS THAT NOT SO?

THAT'S SO
Let me start with the performance. All of the narrators are professionals, not a amateur in that batch. The add very much to the book. If you by chance have never read it, this would be the edition to listen to.

THE WOMEN LOOKED PRETTY EXCEPT WHEN YOU GOT NEAR THEM
I really debated on how to rate this book. If it was not for Stoker, we would not have all the movies, books and TV shows that have followed it. No Buffy the Vampire Slayer, no Hammersmith movies, no Count Dracula cereal etc...It is all here along with many things you may have forgotten. I had forgotten the part where Dracula climbed head first down a castle wall. Did you know Dracula had hairy palms? So, this gets five stars for creating such a great character. I gave the story three stars, as I was thinking about Today's Reader. The book is made up of letters and journals and almost everything is something that has already happened and your getting a personal account of it. This was popular during Stoker's time, but it is rarely done today. For today's reader it is way too long. A lot of it reads like a soap opera. I was sick of Lucy, hours before she was finally done in. I was ready to cut her head off myself.

I LOVE YOU, YOU LOVE ME
This is a must read or listen due to the historical aspect. It also has great language. I love listening to how people talked during this time. I loved the manners used in speaking, it is lovingly written. I was also amazed in how often the word love and lover were used.

I KNOW NOT WHY

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133 of 147 people found this review helpful


By N. Houghton on 02-24-12

Gothic Horror Never Sounded So Good

This was well worth it. Alan Cumming is a favorite and so versatile. Tim Curry never disappoints. The only thing missing from Audible's production is a cast list. I recognized some narrators that I had listen to before, but think they all deserve credit for the job well done. Lucy's naivety, and Minna steadfast strength for instance deserve crediting. I was disappointed when this was not a part of the concluding credits.

If other reviewers could not be swept up in the production, perhaps it is due to a distaste for the genre. I like a good vampire tale as much as the next person, but this sheds so much light on how far we have come from the mother of all tales, where more is implied than exposed.

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78 of 90 people found this review helpful

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Customer Reviews

Most Helpful

By Amazon Customer on 05-15-16

Kallgren lowers the rating

They need to stop using her for English women. It's uncomfortable to listen to and such a shame as I love this book and the rest of the cast do so well. I toyed with giving up, as I have done with previous books she's narrated, but Cumming and Curry are just so good. Really is a shame about Kallgren, I'm sure she's a great narrator when tackling accents closer to her own. But these are just so painfully forced.

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13 of 14 people found this review helpful


By David S on 06-06-16

Good, but some miscast voices and dull chapters

What did you like best about Dracula [Audible Edition]? What did you like least?

The first half, full of the bizarre horrors of Dracula's castle and the slow build towards his journey to England, is great. Even after all these years, it's some really creepy and atmospheric text, which the cast do a very good job of conveying. Unfortunately, I thought that the second half could really drag on at times, with far too much time being spent on long, dull monologues about how lovely Mina is and how everyone loves her for being so lovely. The last couple of chapters seemed to be more concerned with train schedules and further discussion of Mina's loveliness, rather than building up to a satisfying climax.

The cast all does a very good at voicing the various journals, diaries, telegrams, and newspapers that make up the book, however the voice actor for Jonathan Harker sounds far too old for the part. I got used to this and accepted it because he was a great narrator, yet it still felt like an odd bit of casting. Also, you see "Tim Curry as Van Helsing" and think about all the great speeches that Van Helsing has, right? Well, Tim Curry doesn't actually say any of them! I would guess that over half of Van Helsing's dialogue is written in Mina's diary, which means that Mina's actress is the one who has to speak them with a not-quite-the-same-accent-Tim-Curry-is-doing accent. I can't blame the casting for this and the actress is a good enough narrator that you just get used to it, but it's still very disappointing that Curry isn't really given anything interesting to work with.

What about the narrators’s performance did you like?

The actress foorr. Luu-see. Has a strange-lee hypnotic waay. Of taalk-iing. I doe-n't knooww hooww. Best tooo. Des-cribe iit.

To be fair, I think she's just overdoing the "sweet and delicate" voice early in the story, because she does sound much more natural later on and actually gives a very touching performance by the end. The rest of the cast are far more consistent and I have to give credit to the actress for Mina, because her many chapters include a lot of different characters and she does a great job of managing all of them (except for what I think was meant to be a Yorkshire accent that she tries to do for a character early on, which was absolutely terrible). Also, Alan Cumming deserves top billing for Dr Steward, as his chapters tended to be the highlights.

Did Dracula [Audible Edition] inspire you to do anything?

Talk like Lucy in public places and then get asked to leave by very concerned staff.

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11 of 13 people found this review helpful

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Customer Reviews

Most Helpful

By Rebecca on 08-03-15

All Star Cast Not So Great

Dracula is one of my favourite books which I revisit every few years but I'm not sure I will listen to this production again. I went into this with very high expectations and unfortunately they were not met. Each narrator on their own was a pleasure to listen to but their own interpretation of what everyone else sounded like was pathetic, confusing and just poorly done. Sadly as a good portion of the writings is recall/para phrasing this happens quite a bit.

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2 of 2 people found this review helpful


By Drax17 on 07-31-17

Classic Monster Horror

What was the most interesting aspect of this story? The least interesting?

When Dracula was hunting after Lucy Westenra & the effect it had upon her friends & family.

What about the narrators’s performance did you like?

I liked that each character was portrayed by a different performer. It helped put you in the head space of that character for a time & what they were going through as the story unfolded. It was exciting when each new chapter started & you knew straight away what character you were going to hear from.

If this book were a film would you go see it?

I am already in love with the 1992 version staring Gary Oldman.

Any additional comments?

They were many great scenes / moments that were suspenseful to the terror that Dracula was inflicting on the characters. But there were also scenes that could have been omitted or cut way back. They seem very unnecessary & made the story longer then it needed to be. I found the very ending way to rushed. There was so much lead up then over in the blink of an eye. It was only told by the perspective of one character but would have found it more enjoyable to be told from a few more characters. Not so much then way events unfolded but how they felt afterwards.

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1 of 1 people found this review helpful

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