Brave New World

  • by Aldous Huxley
  • Narrated by Michael York
  • 8 hrs and 5 mins
  • Unabridged Audiobook

Publisher's Summary

When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.On the 75th anniversary of its publication, this outstanding work of literature is more crucial and relevant today than ever before. Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.


What the Critics Say

"British actor Michael York's refined and dramatic reading captures both the tone and the spirit of Huxley's masterpiece." (AudioFile)


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Customer Reviews

Most Helpful

“Oh, Ford, Ford Ford, I Wish I Had My Soma!”

Brave New World is a bitterly funny and humorously tragic dystopian novel in which Aldous Huxley satirizes modern civilization’s obsession with consumerism, sensual pleasure, popular culture entertainment, mass production, and eugenics. His far future world limits individual freedom in exchange for communal happiness via mass culture arts like “feelies” (movies with sensual immersion), the state-produced feel-good drug soma, sex-hormone gum, popular sports like “obstacle golf,” and the assembly line chemical manipulation of ova and fetuses so as to decant from their bottles babies perfectly suited for their destined castes and jobs, babies who are then mentally conditioned to become satisfied workers and consumers who believe that everyone belongs to everyone. In a way it’s more horrible than the more obviously brutal and violent repression of individuals by totalitarian systems in dystopias like George Orwell’s 1984, because Huxley’s novel implies that people are happy being mindless cogs in the wheels of economic production as long as they get their entertainments and new goods.

Michael York does a great job reading the novel, his voice oozing satire for the long opening tour of the Hatchery and Conditioning Centre, and then modifying in timbre and dialect for the various characters, among them the self-centered brooder Bernard Marx, the budding intellectual poet Helmholtz Howard, the sexy, sensitive, and increasingly confused Lenina Crowne, the spookily understanding Resident World Controller of Western Europe Mustapha Mond, and especially the good-natured, sad, and conflicted Shakespearean quoting “savage” John.

I had never read this classic of dystopian science fiction, so I’m glad to have listened to this excellent audiobook, because it is entertaining and devastating in its depiction of human nature and modern civilization, especially timely in our own brave new Facebook world.
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- Jefferson

Nightmare-Inducing (in a Good Way)

When I first read Brave New World it gave me nightmares. I was hooked. It might be strange to say that a book that gave me bad dreams is a good thing, but I was intrigued that a story could worm its way so powerfully into my psyche. It was really my first encounter with dystopian speculative fiction and I ultimately credit Huxley with sending me on my recent nosedive into YA lit. He probably wouldn’t appreciate this association, or the one I’m about to make, which is that I think this book is one of the most powerful and accessible works of dystopia ever created, and can be seen as a forebear to much of today’s hottest literature.

Sometimes when I’m not sure what I want to listen to next I’ll return to a book that I loved fervently in print and check it out in audio, and that’s what I did with Brave New World. I’m so glad that I did. Michael York is an excellent narrator and he captures the different characters admirably. But what I found most impressive is how he handles dialogue. Brave New World is more than dystopian sci-fi; it’s a novel of ideas and discussion. There’s a lengthy rapid-fire debate that takes place between John the Savage and Mustapha Mond near the end of the book that is generously peppered with obscure Shakespearian references. When reading you can gloss over anything you do not get immediately because you understand the merit of their discussion: is it better to be happy and controlled, or is the freedom to be unhappy the greatest of human liberties? But I found while listening that Michael York carried me along through their debate and the individual Shakespearian references sang clearly. Just as seeing a play acted out on stage is easier than reading it, I really feel that listening to this book was a heightened experience, and an improvement on the print version. Now when I recommend Brave New World to people I suggest they listen to it first.

And I’m going to recommend it again now: There’s a reason this is a classic, and read by most freshman English students. If somehow you’ve missed it, now is the time to pick this one up.
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- Emily - Audible

Book Details

  • Release Date: 01-16-2008
  • Publisher: Blackstone Audio, Inc.