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Publisher's Summary

"All the world's a stage...." In the enchanted forest of Arden, everyone has their way. Sins are forgiven, quarrels are resolved, and love rules over all. And - just as the author liked it - the frolic of clowns and comedy includes provocative insight into nature versus society and into humanity itself. Follow Orlando, Celia, Rosalind, and Touchstone the Clown from court to forest in this play that features disguised princesses, an unjustly deposed ruler, and a handsome leading couple. Actors Vanessa Redgrave (Rosalind) and Keith Michell (Orlando) head the cast of celebrity performers in this Shakespearean romp of mischief, intrigue, and surprise.
(P) and ©1962, 1995 HarperCollins Publishers, Inc., All Rights Reserved, Caedmon, An Imprint of Harper Audio, A Division of HarperCollins Publishers
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Customer Reviews

Most Helpful
4 out of 5 stars
By Mary on 11-05-07

sometimes, oldest is best

This is a good, complete version that does not require filling in gaps to understand, or straining to comprehend the language. I like that the music fits in well.

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3 of 3 people found this review helpful

3 out of 5 stars
By Caitlín Mitchell on 09-17-11

Hard to follow

If you haven't previously encountered As You Like It in some form, be it print or performance, I don't recommend starting with this version. While I picked up on the overall plot, there were definitely points when I was completely lost because I wasn't sure who was speaking. This recording was also hard to hear in spots, which didn't help. The music was lovely though - this was the first time I've really understood how a chorus can contribute to a play.

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1 of 2 people found this review helpful

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Customer Reviews

Most Helpful
3 out of 5 stars
By Philip on 01-21-08

Dissappointing and dated

I was dissapointed with this production. I understood that in the 60s Venessa Redgrave's Rosaline was a huge hit- but here I thought she sounded dated, arch and as if she were trying to project her lines to the back of the dress-circle.

The whole production is very much in the wide-mouthed, recieved-pronounciation school of Shakespearian acting.

The two redeeming features are that firstly it is unabridged, and secondly the music is (presumably) very authenic. These are really the only two reasons for anyone choosing this version over the excellent BBC production.

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