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Kicked out by her mother, and shunned by her small town community in New Hampshire— it's a rocky start. Hall’s life doesn't end up on People magazine— there's no plastic surgery/makeover ending.
Meredith moves to the Middle East, first on a whim, but it’s a decision that changes her life. She sells every one of her possessions, and yet arrives on the other side of her adventure with something much more precious, as well as a relationship she never dreamed she’d have.
3 of 3 people found this review helpful
What did you like best about this story?
I enjoyed the everyday aspects of this book. Meredith Hall has a way of making words sing, making even ordinary things like the habits of childhood classmates sound poetic. Her use of the present tense continually through this novel both gives it immediacy and provides some confusion for the reader, as it seems to jump around with no particular purpose (particularly in the second half of the book).
Have you listened to any of Kathe Mazur’s other performances before? How does this one compare?
I have not, but I think I will. She did a very good job here, and I would like to hear more!
Any additional comments?
This is a good book, detailing the pain of being forced to put a baby up for adoption, with really no say in the matter; the cruelty of ostratization, the complicated relationships between parents and children.
I would love to see Meredith Hall put her hand to novel-writing or poetry; I think she would do an amazing job as well.
Perhaps the continuous present-tense narration was used as a device to denote aimlessness and being, as the title suggests, without a map; however, it is a bit frustrating as a reader because the shifts in time don't appear to make any particular sense, particularly at the end of the book. This aside, it is a solid biography, and I would love to read anything else Ms. Hall wishes to write.
1 of 1 people found this review helpful