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Publisher's Summary

As a National Public Radio reporter covering the last stand of the Taliban in Afghanistan's southern borderland, Sarah Chayes became deeply immersed in the attempt to rebuild a broken nation. With her NPR assignment finished in early 2002, she left reporting to help turn around the country's fortunes, accepting a job running a nonprofit founded by President Hamid Karzai's brother. With remarkable access to leading players in the postwar government, Chayes witnessed a tragic, perverse turn of events: the U.S. government and armed forces allowing and abetting the return to power of corrupt militia commanders to the country. In addition, the reinfiltration of Taliban forces was supported by a U.S. ally, Pakistan.
In this dramatic account of her four years on the ground, working with Afghanis to restore their country to order and establish democracy, Chayes opens Americans' eyes to the sobering realities of this vital front in the war on terror.
©2006 Sarah Chayes (P)2006 Tantor Media
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Critic Reviews

"Absorbing...necessary, even" (Kirkus) "[Chayes'] hands-on experience as a deeply immersed reporter and activist gives her [book] a practical scope and persuasive authority." (Publishers Weekly)
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Customer Reviews

Most Helpful

By Joshua on 01-15-08

Pronunciation errors abound!

This is an interesting book, but the narrator commits a range of terrible pronunciation errors that make me wonder who the lazy sloths are who produce these things. Saying "calvary" for "cavalry" (which makes military forces sound like Christian zealots), pronouncing "NGO" not as three discrete letters but as a single Zulu-sounding acronym, even pronouncing "similarly" as "similarily." And let's not get started on names. Gulbuddin Hekmatyar, the Mujahedeen leader, becomes Gulbyudin Hekmatire (roughly rhyming with Rasputin McIntyre). I don't know if this stuff bothers you, but it drives me crazy.

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9 of 9 people found this review helpful


By Lauren W. Ferris on 03-08-08

Terrible performance

Like Joshua, who has a review written in this section, I am horrified by the terrible reading that Renee Raudman gives this otherwise excellent book. Who is the sound editor or producer who allowed the massacre of Chayes' fine language to escape the studio? And who chose her to read when the voice of the book, as well as Chayes' actual voice, is intense, sharp, and always insistent? Raudman reads as though she is trying to calm a young child. That is certainly not the intent of the book!
I suggest that people buy a hardcopy of The Punishment of Virtue rather than endure its dreadful performance.

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5 of 5 people found this review helpful

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