The Life of Napoleon, Volume 6

By: William Hazlitt

Narrated by: Robert Bethune

Length: 4 hrs and 14 mins

Publisher's summary

William Hazlitt is one of the foremost writers of the English language. His fame as a critic, essayist, and social commentator ranks with the likes of Samuel Johnson and George Orwell. He considered his justly famous Life of Napoleon as his most important work.

In this volume of the work, William Hazlitt takes us through Napoleon's captivity on the island of St. Helena, his decline and his death. Napoleon is no longer involved in the great affairs of France and Europe, which gives Hazlitt the opportunity to focus as never before on Napoleon the man. We see the Emperor who once battled the combined nations of Europe engaged in constant war against the petty tyranny of the English governor of the island while preparing his memoirs and longing for his family, who were never allowed to visit him. In the end, death claims him.

Hazlitt was a lifelong admirer of Napoleon and of the French Revolution, but his admiration was not blind. His analysis is both passionate and clear-sighted. At this stage in Napoleon's career, he focuses more on the great events, less on the man and his mind. It is an appropriate focus; at this stage in his life, Napoleon's whole existence was wrapped up in those great events, his personal life was submerged in them.

Hazlitt sometimes transcends and sometimes falls victim to the prevailing attitudes of his day. His thinking sometimes juxtaposes highly progressive ideas with casual bigotry. His text has been left as he wrote it; it is valuable to hear and remember that even great minds have held ideas we prefer to think we have overcome.

The Life of Napoleon was originally published in four volumes in 1828-1830, not long before Hazlitt's death. It was later republished in a limited edition of six volumes by the Grolier Society. This audiobook is based on that edition.

Please note: Because of the author's idiosyncratic structuring of The Life of Napoleon, the audio tracks do not correspond to chapters in the text.

Public Domain (P)2016 Robert Bethune