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Stet is spiced with candid insights about the type of people who make brilliant writers and ingenious publishers and the idiosyncrasies of both. It brims with Athill's memories of serving as confidante, midwife, and sometime therapist to great literary figures: Nobody who has read Jean Rhys' first four novels can suppose that she was good at life, but no one who never met her could know how very bad she was at it; "It was my job to listen to [Naipaul's] unhappiness and do what I could to ease it, which would not have been too bad if there had been anything I could do." Most of all it is Athill's voice that captivates - intimate, lively, generous, humorous, the voice of a favorite aunt who is as warm and big-hearted as she is worldly and irreverent.
Packed with delights, Stet is about the world of books, about people who write them and the process of making them, a world dissected with sharp and irresistible honesty. It is an invaluable contribution to the world of literature.
Customer ReviewsMost Helpful
By Jean on 01-02-16
An inside look at publishing
Diana Athill worked for a London publishing company for approximately fifty years. Athill edited some of the best minds of the post war (WWII) generation, including John Updike, Gitta Sereny, Philip Roth, Jack Kerouac, Norman Mailer, Molly Keane, and George Orwell and many more. During World War II she worked for the BBC.
Athill discusses her life as an editor including her wartime fling with Hungarian expat Andre Deutsch of the Deutsch Ltd. Publishing Company for whom she later worked. This book provides a glimpse inside the world of authors, editors and publishing. Athill is quite candid, funny, witty and astute about her workplace.
I learned a new term while reading this book. I love to learn new words. “Stet” is an editing term. A copy editor wanting to rescue a deletion puts a row of dots under it and writes Stet (let it stand) in the margin.
The book is well written and charming. I would assume that the bibliophiles would be the major purchasers of this book. The book is about seven hours long and the narrator Jan Cramer does an excellent job.
4 of 6 people found this review helpful