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In such films as Lilies of the Field, In the Heat of the Night, and Guess Who's Coming to Dinner, Poitier's middle-class, mannered, virtuous screen persona contradicted prevailing film stereotypes of blacks as half-wits, comic servants, or oversexed threats. His screen image and public support of nonviolent integration assuaged the fears of a broad political center, and by 1968, Poitier was voted America's favorite movie star.
Through careful readings of every Poitier film, Goudsouzian shows that Poitier's characters often made sacrifices for the good of whites and rarely displayed sexuality. As the only black leading man during the civil rights era, Poitier chose roles and public positions that negotiated the struggle for dignity. By 1970, times had changed and Poitier was the target of a backlash from film critics and black radicals, as the new heroes of "blaxploitation" movies reversed the Poitier model.In the 1970s, Poitier shifted his considerable talents toward directing, starring in, and producing popular movies that employed many African Americans, both on and off screen. After a long hiatus, he returned to starring roles in the late 1980s. More recently, the film industry has reappraised his career, and Poitier has received numerous honors recognizing his multi-faceted work for black equality in Hollywood. As this biography affirms, Poitier remains one of American popular culture's foremost symbols of the possibilities for and limits of racial equality.
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By Susie on 01-28-13
The Man, the Star, the Lightning Rod
The best biographies place their subjects in the culture of their times. They give a picture of the world around the subject in addition to the facts of their inner life. This is the first full bio of Sidney Poitier, and it excels at doing just that.
Poitier’s career spanned one of our most revolutionary, tumultuous, and polarizing times in history. From the birth of the Civil Rights Movement to Black Power, to his well-deserved late career veneration, Poitier has been both an icon and a lightning rod. He went from being criticized by whites for acting in movies with racial conscience— to being chastised by some in the Black community for selling out, for portraying his movie characters as noble and sexless.
With Goudouzian’s fluid, gripping writing, this is one of the best "page-turning" Hollywood biographies ever.
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