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First, I discovered this book after seeing the two seasons of the Amazon TV series. This book is NOTHING like that. But more about that later.
If you are coming to this book without having seen the Amazon series, you will not be confused. The story is of a young musician, very talented it would seem, who moves to NYC, lives in a run-down apartment building, and makes her way through the world of classical music, with a side trip to Broadway orchestras.
The story is somewhat interesting, but the author shows her journalism roots (rather than entertainment) by interjecting dry statistics from newspapers, magazines, and government sources, on the state of classical music in the country.
But even the humanity of the story feels dry. Several characters appear throughout the book and we get to see their lives change. One of her friends has a very serious heart condition. The book takes us through the drama of all his operations and then decline. But there isn't any feeling to the story. We don't care.
Other characters feel just a dry. The author has a tendency to rank the quality of her friend's lives as to what kind of apartment they have, who they are married to, and what kind of music they create. The author eventually leaves the classical music field for journalism when she realizes she doesn't want to live in her apartment building after the age of 40. This is not how you create an empathetic character.
As far as the sex and drugs, they're in there, with a lot of booze on the side. I think we are supposed to be shocked that classical musicians, considered such a stiff and stuffy group, would smoke dope, snort cocaine, performed stoned, and sleep around with married people.
Sadly these are all the people the author seems to know.
But even these scandalous-sounding stories come out without any feeling. We don't care if someone plays stoned one night. Or a $10,000 flute is stolen from a restaurant. Or they do crossword puzzles in the pit of a Broadway orchestra.
The story ends with the author's cautions against sending children into music schools if they're not going to be able to get jobs in an industry that is losing employment. I agree that kids should not learn to play the oboe if they only want to do it to be a professional musician. Obviously someone as talented as the author had to leave because there wasn't enough work. But what about the joy of learning to make music? Or the discipline of learning an instrument. Or the fun of banging on the drum in a marching band.
If we listen to the author, all the music in education programs would be cancelled.
It's a shame, though, that the author stopped her story shortly after leaving classical music. A quick search on Google shows she's had quite the amazing life since then with restraining orders, fake marriage, and mental problems. Now THAT'S a story I would love to have read.
Now, for anyone who has seen the Amazon series and wants to get more about that story? Forget it! This book has as much to do with the Amazon show as a map of Texas does to the series "Dallas."
That's not to say you won't enjoy this book. It's just that they are totally different.
Same thing the other way round. If you have listened to this book, you'll be surprised at how little of it is in the series. The series has concocted characters that are not at all in this book. The characters in the series are interesting. But I'm really surprised they share the same title.
18 of 18 people found this review helpful
This might have been a better book with a different performer. She read too slowly and I just couldn't connect her with the main character. I may try just reading,it rather than listening.
9 of 11 people found this review helpful
Fascinating insight into the life of contemporary American classical musicians. Intertwines her personal story with a journalists perspective on the culture as a whole; it did lag in places, but had a great ending and I believe this is a great cautionary tale overall for anyone considering a career in this field!