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Leonardo da Vinci created the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and engineering. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history's most creative genius.
Now Walter Isaacson brings Leonardo da Vinci to life, showing why we have much to learn from him. His combination of science, art, technology, and imagination remains an enduring recipe for creativity. So, too, was his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His relentless curiosity should remind us of the importance of instilling, in both ourselves and our children, not just received knowledge but a willingness to question it - to be imaginative and, like talented misfits and rebels in any era, to think different.
Customer ReviewsMost Helpful
By Kristopher S. on 11-13-17
Wish the sample was not from the preface!
Alfred Molina gives a good performance, but you wouldn't know it if you were to buy this based on the audio sample. This is something I often check before buying, luckily I recognized Isaacson's funny voice and assumed it was a section of the preface.
The samples should give an overall impression of the narrator, not the author or other contributor in a preface.
115 of 118 people found this review helpful
By Bikerclimber on 10-19-17
Isaacson uncovers Leonardo, Molina is great
Isaacson is a master, and does it again, succinctly conveying what made Leonardo such a change force in human history. I have to defend narrator Alfred Molina, as I saw one review that said the listener didn't care for his narration - I found him thoroughly enjoyable and made this an easy listen.
As most of us do, if I don't know the narrator I listen to the sample to see if I can stand the narrator, and will skip the audiobook if I don't care for the narrator. With this book, the audio sample is Isaacson reading the introduction, at least for the first few minutes I listened. It would be better if the sample used was Molina, as we could judge for ourselves. As with art, each narrator is a personal preference.
96 of 101 people found this review helpful