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Really, this book was as much about the Brill Building and that era of pop music as it was about Bert Berns which makes sense as they're fairly intertwined. As a big fan of that era, this book was pretty fascinating. Interesting times and this book is vivid and fun. I was sorry it ended.
One comment to another review that claimed this book lifted a lot from others, specifically "The Last Sultan", maybe I haven't read enough, but I'm not seeing it. Sultan covered Ahmet Ertegun's story but here his Atlantic partner Jerry Wexler is the main interest. A lot of stuff that wasn't in Sultan, like the attempted sale of Atlantic to ABC-Paramount, is covered extensively and not mentioned at all in the other book.
Would you consider the audio edition of Here Comes the Night to be better than the print version?
The narration certainly enhanced the rapid fire presentation of material recited in the cool whiskey toned slightly southern voice of the reader.
Who was your favorite character and why?
The general look at the music industry is fascinating. This is not a work of non-fiction in which one character could be called out but I think the cool deception of the players and the chess play of artists was interesting to read.
Have you listened to any of Christian Rummel’s other performances before? How does this one compare?
This is the first work I've heard narrated by Christian Rummel but believe that there could not have been a better narrator for this sort of non-fiction. The overload of information was given the feeling of sitting in a bar with the reader as he tell the story of all he's seen in his career.
Was this a book you wanted to listen to all in one sitting?
Listening to this book in one sitting might be a bit overwhelming. It is a true treasure trove of insider stories and a detailed look at the music industry as well as the life of Bert Berns. It is, however, a book that I was always thinking about when not listening and to which I was eager to return.
Any additional comments?
"Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues" is a fabulous look at the inside of the R&B industry of the 50s and 60s. It is engaging and uncensored. I had never heard of Bert Berns before picking up "Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues" though he'd written some of my favorite songs ("Brown Eyed Girl" "Under the Boardwalk") and was a key player in the British Invasion. Bert Berns and the R&B industry were not subjects that I thought interested me before reading Joel Selvin's exceptionally well researched piece. If you're a music fan of the era, pick this one up today.