A gorgeous, moving memoir of how one of America's most innovative and respected journalists found his voice by coming to terms with a painful past.
New York Times columnist Charles M. Blow mines the compelling poetry of the out-of-time African-American Louisiana town where he grew up - a place where slavery's legacy was felt astonishingly close, reverberating in the elders' stories and in the near-constant wash of violence.
Charles's attachment to his mother - a fiercely driven women with five sons, brass knuckles in her glove box, a job plucking poultry at a nearby factory, a soon-to-be-ex husband, and a love of newspapers and learning - cannot protect him from secret abuse at the hands of an older cousin. It's damage that triggers years of anger and searing self-questioning.
Finally, Charles escapes to a nearby state university, where he joins a black fraternity after a passage of brutal hazing, and then enters a world of racial and sexual privilege that feels like everything he's ever needed and wanted, until he's called upon, himself, to become the one perpetuating the shocking abuse.
A powerfully redemptive memoir that both fits the tradition of African-American storytelling from the South, and gives it an indelible new slant.
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Authors should NOT read their books.
No, it might have been had a professional read the book. It's a rare talent and generally authors don't have it. This is an example. It sounded like "pressured speech". Barbara Kingsolver, Simon Winchester, Alexander McCall-Smith and John Le Carre' can do it, but most authors should leave it to the professionals
Definitely YES, if he did not read it.
The pace/cadence. Again, it seemed like "pressured speech. Way too slow and the sentences did not flow appropriately.
I don't think so. It might depend on the cast.
I've listened to over 900 books in the past several years and I've come to appreciate what a talent "performing" a book is.