A revelatory look into the life and work of Ernest Hemingway, considered in his time to be the greatest living American novelist and short story writer, winner of the 1953 Pulitzer Prize for Fiction and the Nobel Prize in Literature in 1954.
Mary Dearborn's new biography gives the richest and most nuanced portrait to date of this complex, enigmatically unique American artist, whose same uncontrollable demons that inspired and drove him throughout his life undid him at the end and whose seven novels and six short story collections informed - and are still informing - fiction writing generations after his death.
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The last of a man's man.
Yes. He interests me as a writer and a person and this book does present a fair amount of information.
Learning more about the man, the myth and the legend. Shows warts as well as praises.
Laughed at the funny parts and felt sad as his depression started taking over his life.
I am not sure if Mary Dearborn is showing a feminine bias or a historical bias but there are several points in the book I felt that she did not understand the behavior of the American male in that time period when viewing him with her present day eyes. By today's standards Hemingway was a bully and a bore, but in the context of the age he lived in - he was not. His treatment of his wives came off one sided. She comes off as confused as Earnest may have been about his sexuality. His mother was in any age a "whack" job and would have confused anybody. But Mary Dearborn shows great understanding and empathy concerning the battle he had with depression. All in all she has written a good book on the greatest of American writers in the 20th. century.
- Pat Ryan
There's no one thing that's true. It's all true.