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Warren Zanes gives us a personal look at his history with this acclaimed Dusty Springfield album, as well as the details of its creation. Dusty in Memphis is sort of an improbable classic, made by a singer whose personal problems were overcome by the strength of the material and by the collaborators she chose, such as soul music producer extarordinaire Jerry Wexler. Northerner Zanes details his fascination with the mysteries of the exotic South, a fascination shared by British soul singer Springfield, who traveled to Memphis to try to capture the spirit of soul music at its source.
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What did you like best about Dusty Springfield's Dusty in Memphis (33 1/3 Series)? What did you like least?
Warren Zanes is a very good writer. I loved his Tom Petty bio, his narrative is always compelling. That said, this book really serves as an essay about the mythical South rather than a true telling of the making of Dusty in Memphis. There are some cool details but they are interjected sparsely between long expositions about race, southern culture and the history of people who've profited from the work of southern black musicians.
All of those things make sense to talk about and Zanes does so beautifully. But I found myself wanting to know more about the actual album featured in the title of the book.
Dusty was never Rusty. How could an artist with so much talent ever be overlooked in the Pantheon of great entertainers. Her life was filled with sorrow but she filled the world's music with great interpretations of classic melody.
No white woman has ever achieved the accolades showered on her by people who she emulated in the world of Soul.
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