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From the first sentence, this book hooked me in.
Disney's life and struggle to succeed is fascinating.
What I really appreciated was reading how he ran his company. He pushed his employees, artists and animators, to do more than they thought they could do.
He also started the company with pool tables, fun events, and other diversions.
I was surprised at this. In so many descriptions of how he ran the company, it sounded like the genius and drive of Steve Jobs combined with the fun of Google's offices.
It made me realize that today's pioneers sometimes ride down the same road already paved in the past.
Get the book. Listen to it. You'll never look at "the mouse" the same way again.
8 of 8 people found this review helpful
Like a lot of people my age, I grew up on Walt Disney; in my case, it went way past childhood. I got a lot of ribbing in high school because I continued to insist that he was a genius. I still think that, even though there is, undeniably, a saccharine quality to a lot of his work. Disney always considered himself more a "story man" than a master animator, and the grace and strength of the story structure in his best features is one of his most enduring monuments.
Gabler's biography is a fascinating look at Disney's life and work - especially his work. The emphasis here in on the professional, and Gabler provides totally absorbing accounts of the studio's process in creating some of the great features of the 30s and 40s. Disney did go wrong at certain points in his career, some of it financial and some of it political, and the fact that he was able to oversee the creation of so many masterpieces in spite of these wrong turns is astonishing. In the 50s, with the advent of Disneyland and the weekly TV show, Disney began once again to hit his stride.
When Disney is totally committed to what he's doing, Gabler is wonderful. When Disney is bored, Gabler becomes much less interesting. The biggest weakness in the book is the overly-detailed account of the financial dealings. It's an essential part of the story, but (as Gabler himself makes clear) it's not really what Disney was about.
The book is a useful corrective to the only other biography of Disney I've read - "The Disney Version" by Richard Schickel. That was clearly hostile; Gabler takes a much more balanced and nuanced approach. While I understand from browsing the web that not everyone agrees with me, I get the sense from the book that Gabler actually likes Disney. The book isn't the celebration some would prefer, but neither is it an indictment. It's a portrait of a man who smoked too much and drank too much and never lost a yearning for the turn-of-the-century small town perfection he'd known as a child: a man with a brilliant vision of what animation could do and the ability to motivate others to join him in the pursuit of the insanely great.
I enjoyed Arthur Morey's narration (as I always do). He maintains a steady, straightforward tone that matches the material.
13 of 14 people found this review helpful