Walt Disney

  • by Neal Gabler
  • Narrated by Arthur Morey
  • 33 hrs and 24 mins
  • Unabridged Audiobook

Publisher's Summary

Seven years in the making and meticulously researched - Gabler is the first writer to be given complete access to the Disney archives - this is the full story of a man whose work left an ineradicable brand on our culture but whose life has largely been enshrouded in myth.Gabler shows us the young Walt Disney breaking free of a heartland childhood of discipline and deprivation and making his way to Hollywood. We see the visionary, whose desire for escape honed an innate sense of what people wanted to see on the screen and, when combined with iron determination and obsessive perfectionism, led him to the reinvention of animation. It was Disney, first with Mickey Mouse and then with his feature films - most notably Snow White, Pinocchio, Fantasia, Dumbo, and Bambi - who transformed animation from a novelty based on movement to an art form that presented an illusion of life.The author also reveals a wounded, lonely, and often disappointed man, who, despite worldwide success, was plagued with financial problems, suffered a nervous breakdown, and at times retreated into pitiable seclusion in his workshop, making model trains. Gabler explores accusations that Disney was a red-baiter, an anti-Semite, and an embittered alcoholic. Yet whatever his personal failings, Disney appealed to millions by demonstrating the power of wish fulfillment and the triumph of the American imagination.

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What the Critics Say

"Thorough...[and] engrossing." (Publishers Weekly)
"A balanced treatment of the man and his achievements, realistically assessing Disney's considerable impact and offering insight into the hidden, restless soul who constantly challenged himself." (Booklist)
"We've all been waiting for the perfect book on Walt Disney; it has finally arrived and Neal Gabler's done it. Wonderful!" (Ray Bradbury)

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Customer Reviews

Most Helpful

Diane Disney

"A monstrous piece of libelous junk. My parents were not the people he creates in this book, and I cannot understand why all of you who aided and abetted Gabler in writing this book, and who praise it and promote it, can do so without suffering serious qualms." - Diane Disney Miller, Walt's oldest daughter.

It's unfortunate that Neal Gabler made so many errors in this book. A partial list of errors can be found online.
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- Amanda

Dry in places, but overall fascinating

Like a lot of people my age, I grew up on Walt Disney; in my case, it went way past childhood. I got a lot of ribbing in high school because I continued to insist that he was a genius. I still think that, even though there is, undeniably, a saccharine quality to a lot of his work. Disney always considered himself more a "story man" than a master animator, and the grace and strength of the story structure in his best features is one of his most enduring monuments.

Gabler's biography is a fascinating look at Disney's life and work - especially his work. The emphasis here in on the professional, and Gabler provides totally absorbing accounts of the studio's process in creating some of the great features of the 30s and 40s. Disney did go wrong at certain points in his career, some of it financial and some of it political, and the fact that he was able to oversee the creation of so many masterpieces in spite of these wrong turns is astonishing. In the 50s, with the advent of Disneyland and the weekly TV show, Disney began once again to hit his stride.

When Disney is totally committed to what he's doing, Gabler is wonderful. When Disney is bored, Gabler becomes much less interesting. The biggest weakness in the book is the overly-detailed account of the financial dealings. It's an essential part of the story, but (as Gabler himself makes clear) it's not really what Disney was about.

The book is a useful corrective to the only other biography of Disney I've read - "The Disney Version" by Richard Schickel. That was clearly hostile; Gabler takes a much more balanced and nuanced approach. While I understand from browsing the web that not everyone agrees with me, I get the sense from the book that Gabler actually likes Disney. The book isn't the celebration some would prefer, but neither is it an indictment. It's a portrait of a man who smoked too much and drank too much and never lost a yearning for the turn-of-the-century small town perfection he'd known as a child: a man with a brilliant vision of what animation could do and the ability to motivate others to join him in the pursuit of the insanely great.

I enjoyed Arthur Morey's narration (as I always do). He maintains a steady, straightforward tone that matches the material.
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- Tad "Shakespeare, Dickens, Homer, Mark Twain, Walt Disney, History."

Book Details

  • Release Date: 11-16-2006
  • Publisher: Books on Tape