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Is there anything you would change about this book?
I enjoyed listening to this audiobook, and would recommend it, with the caveat that it doesn't exactly weave the subjects together quite as neatly as is suggested in the summary. The first half of the book almost exclusively deals with the captivity narrative. It's interesting research, but just slow to get to the film. A few chapters of biographies for the main players, LeMay, Ford and Wayne (We learn a lot about Stagecoach), is also quite entertaining. And finally a few chapters of the film itself, which reads a bit more like production notes at times. Again, all very engrossing, but the promised exploration into American myth making and how the film "upholds the myth and undermines it", is rather thin.
What did you like best about this story?
I liked the accounts of interactions between John Ford and John Wayne, somewhat abusive on Ford's part. I think that could have been a fair book in itself. But mostly, I liked the stories of being on the set of the film itself.
What about John McLain’s performance did you like?
It was a solid performance.
If this book were a movie would you go see it?
As it's a book about a film, it probably wouldn't happen. But, if it focused on the relationship between Ford and Wayne, perhaps spanning their careers, I might be interested.
Any additional comments?
As mentioned, it was an enjoyable listen, but didn't have the same impact as another book about filmmaking by Glenn Frankel, "High Noon: The Hollywood Blacklist and the Making of an American Classic". Maybe because that book was mostly set within the same time frame, the overriding cultural theme was more cohesive.
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