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Publisher's Summary

This is a book for the thinking actor, and the finest actors I've known are just that. The best actors bring it all together: body, heart, spirit, and mind. This book is for the actor who thinks about craft and influence, who thinks about the relationship of performance to living, who thinks about doing and what that doing means. Acting is a metaphor, and it's a mirror. A theory of acting, if true, shows us to ourselves. Jeff Zinn knows this. He knows it as an actor, director, teacher, and thinker. His theory of everything is simple and revelatory.
(From the foreword by Todd London)
©2015 Jeff Zinn (P)2015 Jeff Zinn
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Customer Reviews

Most Helpful

By Gail Lelyveld on 08-12-15

Using this to improve tours I give

I loved the book. Jeff is a great reader. It will help my work.

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2 of 3 people found this review helpful

By James Seymour on 07-16-15

Talk or Die

Would you consider the audio edition of The Existential Actor to be better than the print version?

Talk or die. Good advice for any actor or, as Jeff Zinn confirms, any human being. By consolidating vast amounts of philosophical perspectives, The Existential Actor manages to condense an array of practical and near-mystical observations by a myriad of actor-trainers (mostly sharing the ethos of Stanislavsky) into a sharply defined defense of the hunger for self-identity.

What did you like best about this story?

Were his discussions not shaped by years of working towards an understanding of the psychological pitfalls of a life of creating characters onstage, his thesis might be tedious, simply adding to the weight of critical and artistic theory that floods university theatre programs. Such is not the case. Zinn is actually able to distill these disparate elements into four steps: shape, action, transaction, and surrender.

What about Jeff Zinn’s performance did you like?

And when he solicits the inspired notions of Shakespeare, Ibsen, Chekhov, Miller, and Mamet in service of his thesis, one begins to sense the value of such an existential – or inward-looking – approach to the craft. We are all fighting not just to stay alive, but also to satisfy an equally powerful hunger for meaning, a belief that our short sojourns on this planet will count for something.

Did you have an extreme reaction to this book? Did it make you laugh or cry?

The actor is the guide to such an adventure, and that fact is the central thrust of Jeff Zinn’s discourse, which, by the way, is well-worth a few hours of listening, especially as its narrated with the same clarity and distinctive pronunciation of his father, whose college lectures I shall always cherish.

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2 of 3 people found this review helpful

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Customer Reviews

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By KatieHargreavesArt on 10-27-17

A must read for all serious actors.

Intelligent amalgamation of all valuable acting techniques into one guide. Links all human psychology to truthful acting seemlessly. Aligns well with finding the size and beauty of characters (Adler springs to mind) as well as the fundamental tools of performance such as actioning and listening (transaction). Particularly interesting idea of surrender and heroic narrative, illustrating the life and death needs, desires and dreams of all humans and the honest naked self which is revealed when our lives fall apart. Zinn then goes on to give examples of his theories within plays and characters that we know so well- from Hamlet to Uncle Vanya and suggests why these roles are so loved by audiences and how we too, can apply the philosophy as actors. A thought provoking and extremely useful toolkit.

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