Sheldon Turner is the prototype for the smart, brash, ambitious young screenwriter - but he's also got a law degree from NYU and has had his fiction published in the New Yorker. Turner recently broke through with his script for the 2005 remake of The Longest Yard, starring Chris Rock and Adam Sandler, and he has half a dozen other scripts in development. He's got insane discipline, writes longhand, and boycotts email. He figured out how to work the system, and he's got more witty axioms for how to play the Hollywood game than a Tropicana craps dealer at 3 a.m. But you'll just have to hear Turner talk to get it: what being the biggest guy in the room can do for you, how to read an audience, what to say in pitch meetings, and why you should let everyone know that you think Lost in Translation sucks.Your Host: Producer Mike De Luca is responsible for some of the most groundbreaking films of the last 15 years. After enrolling in New York University's film studies program at 17, De Luca dropped out four credits shy of graduation to take an unpaid internship at New Line Cinema. He advanced quickly there under the tutelage of founder Robert Shaye and eventually became president of production. The Mask (1994), Se7en (1995), Boogie Nights (1997), Dark City (1998), Pleasantville (1998), and Austin Powers: The Spy Who Shagged Me (1999) were all released under his supervision. In 2003, De Luca left New Line to become president of production at DreamWorks. After a brief tenure there, he left and signed a deal with Sony Pictures, where he produced Zathura (2005) and Ghost Rider (2006). A writer as well, De Luca wrote the screenplays for Freddy's Dead: The Final Nightmare (1991) and In the Mouth of Madness (1994).
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Interview with a workhorse