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You'll encounter symphonies, concertos, tone poems, symphonic poems, and suites, delving into the works through extensive musical excerpts. The course covers the major eras and stylistic periods in Western music from the early 18th- to the mid-20th centuries and highlights a wide range of European and American works. Among these: Haydn's Symphony no. 104, Beethoven's Ninth Symphony, Stravinsky's The Rite of Spring, and Shostakovich's Symphony no. 5. Throughout these lectures, you'll learn about the major musical forms found in orchestral writing and how they're used in conveying expressive meanings. Knowing how these forms work allows you to grasp the structure of the music as you hear it, and also to appreciate how the greatest composers used them, extended them, and finally departed from them in sublimely original ways.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
Customer ReviewsMost Helpful
By Kristi R on 02-01-15
If they cut off both hands, I will compose music..
If they cut off both hands, I will compose music anyway holding the pen in my teeth. Dimitri Shostakovich
This lecture series by Robert Greenberg on the 30 Greatest Orchestral Works is an amazing journey through music and the history of music starting with Vivaldi and ending with Shostakovich.
I learned a great deal about music and especially the composers and what they tried to accomplish through their music. I had no idea that at one time composers working for patrons were expected to come up with something new every month and didn't start writing their works down until people started asking them to play something again. Can you imagine how many great works were lost because they were not written down?
The list of the classes are as follows:
30 Greatest Orchestral Works
2. Vivaldi’s-The Four Seasons
3. Bach’s-Brandenburg Concerto
4. Bach’s-Violin Concerto in E Major
5. Haydn’s-Symphony 104
6. Mozart’s -Piano Concerto 24 in C Minor
7. Mozart’s-Symphony #104 Jupiter In C Major
8. Beethoven-Symphony #3
9. Beethoven-Piano Concerto #4
10. Beethoven-Symphony #9
11. Schubert-Symphony #9
12. Mendelssohn—“Italian” Symphony
13. Schumann—Symphony No. 3
14. Brahm’s-Symphony No.4
15. Brahm’s-Violin Concerto
16. Tchaikovsky—Symphony No. 4
17. Tchaikovsky—Violin Concerto
18. Bedrich Smetana—Má Vlast
19. Dvorák—Symphony No. 8
20. Dvorák—Concerto for ’Cello
22. Richard Strauss—Thus Spoke Zarathustra
23. Mahler—Symphony No. 5
24. Rachmaninoff—Symphony No. 2
25. Debussy—La Mer
26. Stravinsky—The Rite of Spring
27. Saint-Saëns—Symphony No. 3
28. Holst—The Planets
29. Copland—Appalachian Spring
30. Shostakovich—Symphony No. 5
31. Shostakovich—Symphony No. 10
32. The Ones that Got Away
He ends the lectures talking about some composers like Bizet and Bartok whose estates refuse to allow the Great Courses to teach their works, which is a shame.
I know now what to look for in a piece of music and some more composers I should look into. I can highly recommend the course and the lecturer.
94 of 94 people found this review helpful
By Sean on 11-14-13
This is what audio books were made for
As someone with an extremely limited knowledge of music I have always felt intimidated by classical compositions. I could not tell you the difference between a symphony and a concerto, but after listening to these lectures I have a much better appreciation of them.
The lecturer's delivery is a cross of Lewis Black and George Will--authoritative but wickedly funny. He actually made me laugh out loud a few times. His passion for these works comes through in every lecture.
The format he follows is a brief bio-sketch of the composer followed by snippets of music and commentary. When he says "notice how the composer uses dissonant harmonies to convey struggle" you can actually hear it. Each lecture is meant to be complete in itself allowing you to jump around, but I found listening beginning to end to be most convenient.
This is an ideal work for an audio book.
92 of 93 people found this review helpful
Customer ReviewsMost Helpful
By David on 09-05-17
Adventures with my music library
The course covers most of the works and composers you would expect. I had an enjoyable time listening to the music before listening to the lecture. The lectures then gave new meaning to what i had listened to and provided important historical setting to the master work and the composer. At this price a must listen for all music lovers.
1 of 1 people found this review helpful
By J. P. HIGBED on 07-14-18
One of the best music courses I’ve heard.
Four things I look for in an online course -
1. Knowledge. Stuff I didn’t know (or maybe had wrong).
3. No “insider jargon” that keeps me rushing to Google.
4. Plenty of things to follow up.
This course gets full marks on all four.