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By the late 1960s, horror was stuck in the past, confined mostly to drive-in theaters and exploitation houses and shunned by critics. Shock Value tells the unlikely story of how the much-disparaged horror film became an ambitious art form while also conquering the multiplex. Directors such as Wes Craven, Roman Polanski, John Carpenter, and Brian De Palma - counterculture types operating largely outside Hollywood - revolutionized the genre, exploding taboos and bringing a gritty aesthetic, confrontational style, and political edge to horror.
Zinoman recounts how these directors produced such classics as Rosemary's Baby, Carrie, The Texas Chainsaw Massacre, and Halloween, creating a template for horror that has been imitated relentlessly but whose originality has rarely been matched. This new kind of film dispensed with the old vampires and werewolves and instead assaulted audiences with portraits of serial killers, the dark side of suburbia, and a brand of nihilistic violence that had never been seen before.
Shock Value tells the improbable stories behind the making of these movies, which were often directed by obsessive and insecure young men working on shoestring budgets, were funded by sketchy investors, and featured porn stars. But once The Exorcist became the highest grossing film in America, Hollywood took notice, and the classic horror films of the 1970s have now spawned a billion-dollar industry.
Customer ReviewsMost Helpful
By Billy on 01-31-13
A good listen, but narrow in scope
Shock Value's author sets out to show how a handful of horror directors including Wes Craven, George Romero, and John Carpenter, redefined the horror genre in the 1970s. Along the way he also spends quite a bit of time on some figures that many listeners (myself included) might consider peripheral to the genre: Roman Polanski and Brian DePalma. Both directors have obviously made some great movies, but I would have preferred a much more extensive treatment of the Italians who receive little more than a mention. Casting that wider net might have weakened his argument that a "new horror" was born in the US in the period he covers, but I think it would've made for a more interesting listen/read.
That's really a minor criticism, though. There's plenty here to like. From Dan O'Bannon's health struggles inspiring Alien to several directors' dislike of Hitchcock's Psycho, I found the book to be enjoyable for the most part. I really just with there was more of it.
Pete Larkin does a good job with the narration. He's not one who I'd necessarily seek out, but he's a capable narrator and he doesn't do anything that might detract from your enjoyment of the book.
4 of 4 people found this review helpful
By Jason Potter on 03-15-13
Great Book, Terrible Narrator
I read this book in print form when it first came out and absolutely loved it, when I saw it on sale recently it seemed like the perfect opportunity to pick up the audiobook and give it a quick listen. The book itself is excellent, however the narrator sounds like he's doing an 8 hour movie trailer. Definitely listen to the sample before you buy this book, it took all of thirty seconds before I realized that this guy was going to read the entire book like that, and I had to stop listening. This is one of only two audiobooks I've ever had to stop listening to because of the narrator, and it's a shame because this really is a great read, and is very informative for any horror fans.
2 of 2 people found this review helpful