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I just read your “H’wood Animal” script. Fantastic! Perfect! Best script ever!
The whole office loved it. A script reader peened the IT Guy with a bat. I was laughing so hard I could barely give directions to the ambulance.
Here are the changes needed before shooting: No one cares that whatshisname, the protagonist (Scott Brick?) pronounces “home run” wrong; lose that. And the ‘50’s ran too long (they dragged back then too).
You can pad the Rolling Stone gig. Maybe he covered John or Ringo – you can’t overdo The Beatles.
Market Research says the ending doesn’t work: everyone hates this guy. He can’t play Caligula for 40 years, get a sore throat, find God and then ride off into the sunset. Not a chance.
We’re thinking Obitz’s Wilshire goons track him down at a homeless shelter after his second wife’s divorce lawyer takes him for all he’s worth. The goons blow his brains out and steal seven dollars from his wallet. Whadda ya think?
We want to see 100 pages – 110 tops.
Love ya man!
Let’s do Chili’s next time you’re in Modesto. We’ll go over my latest script.
6 of 6 people found this review helpful
Don't get me wrong. I enjoyed the book Joe Eszterhas buried inside all the hyperbole. But I guess we shouldn't consider it strange that a writer is so in love with his words that he refuses to give way to an editor. Eszterhas has led an exciting and provocative life, both in Cleveland and in his dreaded Southern California, he's met many talented Hollywood denizens, he's written some of the best and worst screenplays ever to make it to the silver screen. It's just too bad one had to slug through all the repetitious crapola to get to the good stuff.
Still, Scott Brick is so wonderful as the narrator, it almost made it all worthwhile.
3 of 3 people found this review helpful