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Publisher's Summary

Nearly 20 years in the making, Can't Buy Me Love is a masterful work of group biography, cultural history, and musical criticism. That the Beatles were an unprecedented phenomenon is a given. Here Jonathan Gould seeks to explain why, placing the Fab Four in the broad and tumultuous panorama of their time and place, rooting their story in the social context that girded both their rise and their demise. Can't Buy Me Love illuminates the Beatles as a charismatic phenomenon of international proportions, whose anarchic energy and unexpected import was derived from the historic shifts in fortune that transformed the relationship between Britain and America in the decades after World War II.
©2007 Jonathan Gould (P)2013 Bolinda Publishing Pty Ltd
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Critic Reviews

"Not just another biography of the Fab Four, Gould's ambitious, decades-in-the-making volume tells their larger-than-life story and uses it as a lens through which to look at the cultural and historical forces that shaped the band - and its ongoing significance." ( Rolling Stone)
"Fascinating.... An essential addition to Beatle literature." ( The Guardian)
"Brilliant.... Engrossing.... Gould's deft hand makes the book sing. This is music writing at its best." ( Publishers Weekly, starred, signature review)
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Customer Reviews

Most Helpful
5 out of 5 stars
By Tad Davis on 10-29-13

Light on gossip, rich on context

I took a long time listening to this because I didn't want it to end. I also wanted to listen to the music chronologically as Jonathan Gould worked his way through each album and single; so I kept taking breaks from the audiobook to catch up on the songs.

The Beatles are THE band for me and always have been, since my brother and I took the bus into Richmond in 1964 to see the first run of "Hard Day's Night." I won't go so far as to say this is THE book about the group, but it's a fine one, and is well narrated by Richard Aspel. To the standard question, would you read / listen to another book by this writer / narrator - yes, definitely, on both counts.

It's not the most gossipy book about the Beatles. Gould doesn't have any ground-breaking new research or exclusive interviews to offer. What he has, in abundance, are two things: a rich sense of the political and cultural context in which the Beatles' career took place; and a detailed analysis, musical and lyrical, of every released single and every track on every album. His discussions of the songs are what impelled me to go back and listen to them yet again, this time with a handful of specific things to listen for in each one. (I didn't always understand the terminology Gould uses: at one point, he refers to "the elemental subdominant cadent in A-major" - at least I think that's what he said - but his descriptions are more often concrete and illuminating than over-my-head baffling.)

Gould sets the Beatles firmly against the backdrop of Elvis, Les Paul, Brian Wilson, the Stones, Dylan, and the Goon Show on the one hand; and Vietnam, assassinations, student rebellions, the Prague Spring, the Chicago riots, the Profumo affair, and the political rivalry of Edward Heath and Harold Wilson on the other. If you didn't live through those times, the book will give you a better sense of the wider world than any other Beatles book I know. If you did live through those times, it will remind you of how glorious (and sometimes gloriously awful) they were. Woodstock makes an appearance, even though the Beatles didn't show up there: they were putting the finishing touches on the "Abbey Road" album. But Woodstock was an important part of the cultural background; it's impossible to understand the Beatles' place in popular culture without taking it into account.

I haven't listened to all the Beatles-related audiobooks on Audible. Of the ones I have listened to, the only one in the same league is the book by Bob Spitz - unfortunately only available here in abridged format. (The Hunter Davies account is on my list, but even though it has a 1996 update, it's mainly focused on the period ending in 1968.) Until someone offers Spitz unabridged, or Philip Norman's Shout!, or Hunter Davies writes a fuller account of the later years, this is the audiobook I would recommend to anyone wanting an introduction to the history of the band. Gould presents the story with admirable objectivity; it's obvious that the band, and the band's music, fascinate him; but he's willing to call baloney when he sees it, and some of the Beatles tracks, especially as he moves into the troubled territory of The White Album and the Let It Be sessions, come in for particularly harsh criticism. ("Shapeless" and "gormless" are two of the adjectives employed in Gould's discussion of one of the tracks on the White Album. "A parody of a travesty" is his verdict on another.)

The only thing that could make the audiobook better, in my opinion, would be an edition that integrates the songs themselves into the narrative. But you can always do that on your own, like I did.

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17 of 18 people found this review helpful

3 out of 5 stars
By Daryl on 04-08-14

Ambitious - this book's strength and weakness

Would you say that listening to this book was time well-spent? Why or why not?

Yes and no. I enjoyed the beginning of the book, describing the Beatles' start, their rise to fame, and the cultural backdrop that contributed to and caused their success. Toward the second half of the book, however, there are several passages that describe in verbose detail the making of albums and the attributes of each song. Several hours could have been removed from this book just from editing those out. One would have to be a HUGE fan of the Beatles and/or a musician to understand much of the later lingo.

Any additional comments?

Another reviewer indicated frustration with Richard Aspel's odd pauses, and I must confess I found them grating as well. With that exception, he did a very good job of narrating, particularly when he was being flippant.

Overall, this book may appear to music history buffs, cultural history buffs, fans of the Beatles who may want a comprehensive biography... But I am not interested enough in these topics - or perhaps their intertwining as compiled by Gould - to wholeheartedly recommend this book.

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2 of 2 people found this review helpful

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Customer Reviews

Most Helpful
3 out of 5 stars
By Susie Rainbird on 09-23-14

Decent Book, awful reader

Would you say that listening to this book was time well-spent? Why or why not?

If you're a Beatles fan you will enjoy much of this book - some parts are heavy on the wider social issues, but I guess it's all related to the subject.

What was one of the most memorable moments of Can't Buy Me Love?

The most memorable part of the book is the ending - a genuine sense of sadness as when a family disintegrates.

How did the narrator detract from the book?

The narrator should have been sacked on day one. Apart from his annoying timbre ( I thought that this was a contrived 'DJ' type voice - but it persists for the whole book) he simply hadn't done his homework - he clearly hadn't listened to some of the Beatles material. His musical vocabulary was limited - as evidenced by the fact that he can't pronounce several musical terms - and his enunciation of lyrics was excruciating! I almost gave up on listening several times.

If this book were a film would you go see it?

No

Any additional comments?

A half decent book completely sabotaged by the narrator. If you want a book on the Beatles don't muck about - get All These Years and have done with it!

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2 of 2 people found this review helpful

1 out of 5 stars
By Kim on 08-04-14

FALLS BETWEEN TWO STOOLS

If this book wasn’t for you, who do you think might enjoy it more?

People who want to know something about The Beatles, and are starting from a position of no knowledge.

What was most disappointing about Jonathan Gould’s story?

Half the book is written like a dissertation on the sociology of the 1960's. Not very well written at that. The other is the usual rehashed tale of the Beatles. there is no insight here. His description of the music is based on Ian McDonald's ground breaking Revolution in the Head.

How could the performance have been better?

By getting a narrator who can pronounce the words...
For example his pronunciation of place names in Liverpool is pitiful, he constantly refers to Nems as N. E. M. S. the pattern of his de-livery is very strange.

If you could play editor, what scene or scenes would you have cut from Can't Buy Me Love?

I'd cut out the sociology, and I'd look for some originality.

Any additional comments?

I'd advise people not to download this.

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2 of 2 people found this review helpful

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