A masterpiece of literary construction. There doesn't seem to be a word, sentence, or page out of place. At its core, 'The Age of Innocence' is story that shows the strength and the orchestrated customs and mores of social upper-class society of the 1870s, but also shows its narrowness, its contradictions, and its inflexibility. Inserted into this setting is a frustrated love story (almost a love triangle). It is the this frustration that illuminates the tensions between the coming modern age and the Victorian society that is united in its desire to keep the world from spinning forward and apart.
21 of 23 people found this review helpful
This narration of Edith Wharton's classic novel is a genuine masterpiece. The voice is so exactly right, making the most of the elegant prose. The story line may be dated, but questions raised are timeless: how much of our thinking is controlled by our desire to maintain standing with our peers, and how do we balance personal responsibility with pursuit of personal fulfillment.
13 of 15 people found this review helpful
What if you fell in love with someone you can not have, despite the fact that she loves you in the same manner. You're married but can't get a divorce to persue your love because in this time, your social standing is more important than your personal happiness. Crazy ! I know ! but this is the time period in which the story takes place. Amazingly well written, which perfectly describes the time period and the characters. I can understand why this book is regarded as one of the finest books of the 20th century.
11 of 13 people found this review helpful
Blue stocking New York, the Gilded Age of the 1870s. The aristocratic denizens float through an orbit of intimations, insinuations and niceties in rigid fidelity to the complicated and exacting demands of such elegant Manhattan coteries.
This winner of the 1921 Pulitzer for fiction is an acerbic attack, carried out with indirect deftness, on the oppressive social conventions of an exceedingly class-conscious society.
The protagonist Newland Archer, who is a young lawyer in an esteemed firm and heir to one of New York's finest families, stands on the brink of announcing his engagement to the pretty and coddled May Welland, when enters Countess Ellen Olenska, May's beautiful and worldly cousin. Ellen has an aura of European sophistication from the time she has spent abroad and is shadowed by scandal, having left her husband, a Polish count, to declare independence from social constraints.
Archer is instantly infatuated with Ellen and develops a strong passion for her, which results in an internal struggle between his desire to consummate his love for Ellen and his "societal" obligation to marry May, purely a fruit of the social order.
Ellen, on the other hand, with her veil of enigmatic charm, is a character of depth and empathy. She refuses to conform to the code of customary conduct, with the exception of her general sense of loyalty to refrain from lightly considering betrayal of family, even under the weight of unbridled passion.
Wharton draws Newland as a man who is a cut above the typical men of the day, in his intelligence, education and emotions. Yet he lacks the drive and intestinal fortitude to set himself free of the bonds of society and the shelter of the known in marrying May. Ultimately, May resorts to a fraudulent manipulation of Newland in an attempt to prevent him from further pursuing Ellen.
The greatest tragedy of this novel was that two women loved Newland Archer, yet he was unable to fulfill the needs and desires of either, nor his be fulfilled by them.
Wharton ingeniously crafted a social novel in which a deep current of drama surges below the refined, cultured surface she has painted. Under the amber exterior of affluence, one enters a virtual sphere reeking of anguish, abnegation and sad submission to a pre-ordained social order. Carpe Diem by all means, but only if the Clan Deigns it proper.
2 of 4 people found this review helpful